Category: Past Exhibitions

Tage des europäischen Kunsthandwerks

Samstag – April 6 . 2019 |  12:00 – 18:00

Ich öffne meine Türen für alle Interessierten, Musiker, Freunde und Nachbarn, die meine Arbeit noch nicht kennen und Menschen, die schon immer mal eine Instrumentenbauwerkstatt von innen sehen wollten.

In der Galerie PremArts wird es eine Fotoausstellung mit Bildern meiner Instrumente und verschiedenen Arbeitsprozessen geben
Ab 15:00 außerdem immer wieder Musikeinlagen mit Sessioncharakter.
Musiker, erscheint also zahlreich!

Chris Dahlgren, Viola da Gamba, Gitarre, Gesang (composer, singer songwriter)
und “Magpie”, Gesang und Gitarre (country und folk)
haben mir schon zugesagt.

Oben in meiner Werkstatt gibt es die Möglichkeit Instrumente oder einfach mal einen kleinen Hobel auszuprobieren und Fragen zu stellen, die sowohl ich als auch meine Assistentin Kieran Schlensorg gerne beantworten.

Ich freue mich auf euch !!

Ausstellung und Workshops:

ASOBO LAB  – CHIAKI WATANABE

Calligraphy art workshop with ASOBO LAB in Berlin

Erkunden Sie die Dynamik von Pinsel und Tinte auf Papier und gestalten Sie zeitgenössische Kalligraphiekunst mit traditionellen japanischen Shodo- und Sumi-e-(malen mit Tinte) und -Techniken.

Explore the dynamics of brush and ink on paper, and make contemporary calligraphy art using traditional Japanese Shodo and Sumi-e (ink painting) tools and techniques.

CHIAKI (the mastermind of ASOBO LAB)
Visual artist/designer with background in painting, photography, graphic design, and motion graphics, and theatrical set design.
Finds beauty in hands on art. Favorite materials: paper, clay and threads.
On a mission to get more children and adults working with their hands and nuture their creativity.
From Tokyo and New York – based in Copenhagen for now.

School of Visual Arts (BFA Digital art) NY, USA,  Aalborg University Copenhagen (MsC Interaction Design/Medialogy) Denmark,
Musashino Art University (Scenograpy/spacious planning design) Tokyo, Japan.

TERMINE:

Mittwoch, 27.03  :     15:00 – 16:15h  & 16:30- 17:45 h

Donnerstag, 28.03:  15:00 – 16:15h & 16:30 – 17:45 h

asobolab.net

https://www.facebook.com/asobolab1/

FIRST FIRST THURSDAY, MARCH 2019

First First Thursday is a group show of international artists based in Berlin, and will be happening at PremArts (premarts.de) this Thursday, March 7th from 19:00 – 22:00 and by appointment there after. The gallery is located in the Wrangelkiez of Kreutzburg at Oppelner Str. 34 and this show is the first of a monthly exhibition at the gallery with the hopes of inspiring a Wrangelkiez First Thursday Artwalk down the road.

The theme of this months show is [city structures] and will bring together paintings, photography, sculpture, video work and more from this first group of first Thursday artists and how they work with the structures of the city.

participating artists –

Achim Stiermann | www.stiermann.org

Avi Albers Ben Chamo

Bernard Bolter | www.bernardbolter.com

Herr Ling | @esvecee

Inga Kat Coleman | www.ingakatcoleman.com

Inka | @inkaone_cmd_tck

Janna Kubek-Valente

M. Von Mutterer

Mahsa Nejed

Nam Nguyen | www.nampainting.com

Su-Prema

Shek

Sweza | www.sweza.com

 

March 29,      16.00 – 22.00, Vernissage:      20.00 – 22.00

March 30,      14.00 – 20.00

As a trained dancer Jill is particularly drawn to the lightness of being, of fleeting movement and the grace, of dancers. This elusive quality is what she tries to find with line. She works with models who will hold poses for a brief amount of time, changing to another, often at will. The unknown time constraint causes her to work gesturally and minimally, giving rise to a dynamic line quality. The drawings of the poses are laid over each other, challenging the viewer to see the figure this way or that.

With Looking At You, Jill is asking whether we are viewing the model in a celebratory way, appreciating her female agency, or are we viewing her in a possessive, predatory way?

Historically the female model was passive, eyes cast down, non-confrontational. In a few paintings, Manet’s Olympia and Goya’s The Naked Maja, the model looks directly at the viewer. These were shocking for their time.

Today, in the current climate of consent and Me Too, the model holds our gaze.

Is she provoking or inviting?